新写实主义油画Nouveau Realisme oil painting,oil painting

新达达(又叫作新写实主义) 1950年代现代美术呈多元化格局，流派纷呈各显神通。一度被否定的写实主义艺术在新的历史条件下又重新登上画坛。但必须认识到它决不是回到过去的创作观念、创作方法上。新写实主义画家在创作目的、绘画观念以及表现方法方面，并不是老一套翻版，他们吸收了现代艺术的观念进行创作。可以说他们是现代艺术的另一种艺术形式的继续。正如美国评论家希尔顿·克雷默说的：“这个运动的很大一部分，都是非常直接地从现代艺术理论和实践中派生出来的，它是现代派的另一种形式的继续。”当今许多写实主义画家只是用写实的手法来达到现代派探索的造型、色彩、线条与画面的关系的目的而已。

「新写实主义」是法国的美术评论家雷斯塔尼 (Pierre Restany)、 克莱

因(Yves Klein)以及其它艺术家所组成的，与美国的新达达 (Neo-Data)

相等。他们为了纠正「抽象表现主义」(Abstract Expressionism)oil painting,oil painting、「硬

边艺术」(Hard-Edge) 、「色面绘画」(Color-field painting)等抽象艺

术，把艺术带入极端主观而愈与生活环境不发生关系的倾向，力倡艺术必

须回归到实在(reality) 的世界，而以表现吾人生活的环境或生活的行为

为主务。

雷斯塔尼说：「新写实主义是不用任何的争论，忠实地记录社会学的现实

(Sociological reality)oil painting,oil painting； 不用表现主义 (Expressionism) oil painting,oil painting或社会写实主义 (Social Realism) 似的腔调叙述，而是毫无个性的把主题呈现出来

。」事实上，美国的新达达、集合艺术 (Assemblage) 以及普普术家，都参加了法国的新写实主义美展；所以新达达、新写实主义、普普艺术的界限是很难划定的。

克里斯多 (Jaracheff Christo) 是以捆包的写实主义知名， 他以巨大的塑料布把各种各样的东西包装进去，我们常见的事物若用人工的面纱，把它捆包进去的话，则这一种行为已脱离了商业性，而行为本身已能获得自律性的美的现象。同时，被捆包的东西，因为蒙上了一层人工的面纱，它就具有新的艺术意义。

史波利 (Daniel Spoerri)oil painting,oil painting，把人们的消费行为带进美术的领域里； 吃剩下的食物、碗盘、乱放的刀叉、烟蒂等人们无意识的行为的结果，他认为也具有美的成分，而主张它就是消费文明的新的自然。

莱斯 (Martial Raysse) 他把和人同大的印刷美人剪切下来，与阳伞、沙滩等实物配在一起，做出类似广告的效果，而谱成半讽刺性、半抒情性的画面。

弗洛伊德 (1922年- )

卢西恩·弗洛伊德是英国新写实主义派画家，他从现代表现主义观念出发，运用写实手法塑造艺术形象和创造画面意境，以此来打动观者。

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